Fathers, Cameras, and England

For the past several years, I have traveled to England with my father.  In 2006, 2009, 2010, 2011, and now 2012 we have (and will again, in a few short weeks) made the journey across the Atlantic.  Why do we make this trip?  Presumably, it is to watch football/soccer games.  In fact, it has little to do with attending matches anymore.

Dad, 2010

My father has always been an avid traveler, and growing up abroad, that was instilled in me from an early age.  He took my mother traveling before I was born; he has lived all over, and we traveled frequently when I was young.  My father is an incredibly intelligent guy, a university professor, successful author, a loving husband; he is well-liked and respected by colleagues and friends. He was quite the amateur photographer as well–before I was born and when I was young he took tons of photographs–but that faded at some point in life and boxes of slides are all that remain of that former hobby (incidentally, he has recently begun to rediscover that passion, with a Hasselblad 501CM he picked up earlier this year…more on that later).

For all his positive attributes, he had one great failing: he was not a very good father.

When I left home in 2002 and joined the military at 19, things were strained but not awful.  My father had not been a positive force in my life for most of my years, and the most vivid memories of my father were not incredibly positive.  (At this point, although the essay is not about my mother, I should mention that she was everything a little boy could have ever asked for in a mother; caring, kind, and selfless to a fault, she provided a wonderful example of self-sacrifice and positivity that I will never forget.  If you’re reading this, thanks Mom; I love you.)  During one of my visits home to see my parents, shortly after my son was born, something happened that brought things to a head.  Without going in to the specifics, I will say that some of the less positive personality traits that my father possesses took center stage and he and I had a long conversation about a great many things.  Shortly thereafter, I returned home to Texas to finish out my enlistment without having resolved anything.  Raw emotion bubbled just under the surface.

As a person, I am in many ways the polar opposite of my father; I am more sensitive and caring where he can be aloof and detached; more artist than intellectual; more passive than aggressive; more disheveled than organized.  This has determined the kind of father that I would become, but we are–all of us–shaped by the experiences of our youth.  I would even go out on a limb and say that for all the love a mother can give, men will grow into their future selves based off of their father; they will either emulate him or reject him–sometimes a bit of both.  My father rejected his father, with whom he has barely spoken since he was a boy.  I would not let that happen to me and my son, no matter what.

I had decided that things would be different with my son.

Dad, 2008

To the great credit of my father, he took it upon himself to figure things out.  That incident was, as the saying goes, the straw that broke the camel’s back for everyone including my father.  Then in 2006, my father and I went to England for the first time.  My dad has worked tirelessly in his own right to rectify the faults he has, and has dealt with his own things that he needed to–some of them are surely residue from his own explosive relationship with his father, my natural grandfather of whom I have no memory at all and have not spoken with since I was a child.  I credit that trip to England as the beginning of an entirely new relationship with my dad.

Since then we have been to England three more times, with another on the horizon in a few weeks; we also traveled to Japan in 2007.  Calling these trips therapeutic might be overkill, but they have been something akin to that.  The time alone together has been great, as well as the time planning and talking about trips.  The memories have been great, and has re-launched a newer, more positive time between the two of us.  Since then, my dad has been a model father: interested, involved, positive, supportive, and caring.  As adults, we get along well, and I credit that in part for the reason for the improvement, since my dad has trouble relating to kids.  But overstating that fact would do him a great disservice, as he has put an enormous amount of effort in to ensure a more positive present with which to contrast against the gloomier past.

Dad, 2012

And so, England has taken on a role of something much greater with the two of us, and I look forward to the trip each year.  England isn’t just a physical place, but a symbol of the emotional place he and I have found for a connection in adulthood.  For the trip in 2006, I carried a small digital point-and-shoot camera, and put together a small collage of photos I took of the two of us against various backgrounds (Upton Park, the Globe theater, Stamford Bridge, etc). For every trip since then, I have created a photo book (from MyPublisher, Apple’s Aperture, or Blurb) of our trip.  And so, our trips are memorialized and have served to chart my progress, and deepening interest, in photography.  But looking through the four books on the shelf already, one can see how my work has developed and see the things we have done over the years.  Those books represent steps in our relationship and, as such, are priceless.

We don’t only go to England each year.  We have also gone to watch matches at a local British pub in Minneapolis together, enjoying time together and conversation all the while.  We have been to a few baseball games, but as I’m not overly fond of baseball, we have begun going to more basketball games together, and are this year season ticket holders with the Minnesota Timberwolves.  Photography has also made a bit of a comeback.

Since this blog is focused primarily on photography, I would be amiss not to bring this essay around to that subject somehow.  As I mentioned earlier, my father was once an avid amateur photographer.  Coincidentally (or not), his father was a professional photographer.  As anyone who reads this blog will know, I’m quite the amateur photographer as well.  My father has now become interested in Hasselblad photography, since I showed him my Hasselblad 501CM a few months ago.  Shortly thereafter, he bought an identical model himself, and has since acquired more lenses and accessories as his interest has grown ever more.

Me & My Dad, 2009

This year’s England trip will see my father bring his Hasselblad along, and I am likely to do so as well.  Being in England, with my dad, with each of us shooting our Hasselblad could hardly be any better in terms of our relationship.  From a time when he and I seemed destined (or doomed) to repeat the history he and his father made many years before I was born, we have gone to forge a new present that involves a bond based on common interests.  Football, travel, photography, and more, have served to bring us back together to a healthy, positive father-son relationship.

Finally, I have to mention the Pentax ME Super which is, by basically any standard of measure, a run-of-the-mill SLR from the early 1980s.  But the particular camera that I have in my possession is far more than that.  The ME Super that I have is the one that my mother gave to my father before I was born, before they were married.  I had it CLA’d a few years ago, and it works as new.  Although I don’t use it much, it means a great deal to me.  It reminds me of another time, when my parents were young and in love.  It’s a symbol of them, and helps me to remember my parents as they were all those years ago: young, as I never knew them; passionately in love, as only young people can be; and happy, traveling around with my father shooting all those boxes of slides before they were memories consigned to a box in the basement.  It’s a kind of melancholy-laced happiness that I think can only exist in the life-long partnership of young lovers growing old together.  I run a roll of film through it every so often to ensure it stays in good working order, but I take it out and hold it and look at it regularly, letting it take me to another time when my parents went on camping trips together, and had their whole lives in front of them–so much was still to come.

As their future unfolded, an unexpected surprise found their way to them in January 1983. That small bundle of their combined genetic material would grow up and complicate their lives immeasurably.  It would strain their patience and their finances, and even at times the burdens placed on them by that bundle would strain the very core of themselves and their relationship.  My father would grow as a man as I grew as a boy, making mistakes along the way.

Then, in 2006, he bought two tickets to England.

Me & My Father, 1983

“England”

“The Reader” – London, England

 

Another post, and another new book!  I am excited to announce that I have self-published another book via Blurb.  It is called “England” and uses photographs taken all over England from 2009-2012, and I am excited about it.  I hope that you enjoy it, and I’d love to hear some feedback if you check it out!

I think that the books I have been making have gotten progressively better with each iteration, but this is perhaps down to a personal bias :)  What are your thoughts on the book on its own?  How does it compare to the Portugal book?  How does it compare with other photography books that you have read recently?  If you are from England, how does this represent the country you know?

Talk to you soon!

England 2011-12: London Streets in Monochrome

"Exhibitionist" - London, England

 

This is the final entry from the streets of London, and this version is all in monochrome. I hope you like them, and if you do, please let me know with a comment below!

-Trevor

England 2011-12: Wigan 1-4 Sunderland

"Welcome to Vietnam" - Wigan, England

 

This match was, bar none, the worst weather I have encountered in all my football matches that I have been to. It was raining really hard, and the wind was making it swirl around the air, and was hitting everyone no matter where you were sitting.

Wigan ended up losing, though the scoreline was a bit harsh on them, and flattered Sunderland. I would go back to a game there–the stadium is new and nice, the people are great, and the tickets are cheap. All in all, very enjoyable.

England 2011-12: Wigan, Part 2

"Silhouette" - Wigan, England

 

Here is the second set of images from Wigan, in England. Wigan is a small town outside of Manchester, and not many tourists go there. It’s a bit run down in spots, and it’s not incredibly exciting, but I did meet the nicest people in Wigan that I ever have in England. I would definitely go back…if there were more to do. Ultimately, we went for the football, and I’ll post some images from the match tomorrow.

England 2011-12: Wigan, Part 1

"Fashion" - Wigan, England

 

Our last trip to England was my first to Wigan. Wigan is a small town outside of Manchester, and I can’t really think of any good reason one would end up there. Evidently, not many tourists do: this was the only time in all my trips to the UK I’ve met people that had trouble understanding my American accent. Likewise, I had trouble understanding some of the locals. So what did we go to Wigan for? Well, the football, naturally! I will post some photos from the match we saw in Wigan later this week.

Wigan was a very interesting place, though I’m not sure I’d go back. It’s a bit out of the way. The people were some of the nicest I’ve met in my time in England, however; everyone is incredibly helpful and very friendly. As most of my experiences are in and around London, it was a big change.

 

England 2011-12: Stamford Bridge

"Club Shop" - London, England

 

Here is the match we saw at Stamford Bridge on Boxing Day, 2011.  It was the local derby between Chelsea FC and Fulham FC, and it finished 1-1.  It was a great match (from our point of view with the away end), but the atmosphere at Stamford Bridge is something approaching a morgue at times–it certainly was that day!

USA international, and Nacogdoches’ very own Clint Dempsey rescued a point for us, and he has been key all season to keeping the Cottagers looking respectable in the English Premier League.  Come on you Whites!

England 2011-12: No People

"Postcards" - London, England

 

I’m almost at the end of the shots that I’d like to share from my last trip to England, but there are a few more.  This set is all from London, and all shot with the Fuji X100.  I know, I have been on an analog kick lately, but it can’t all be film all the time!  I have a few random rolls sitting on my desk that I just haven’t had the time to scan yet; the end of the semester is really putting me in a crunch and it’s hard enough to find the time to post from the archives, so that’s what we have for now.

London is one of the busiest cities I’ve ever been to.  With that said, there are moments when you find things that have an empty quality to them.  We flew into London on Christmas Day, and I have never been through Heathrow airport that fast before.  It was only a few minutes from getting off the plane to walking outside into the cold English air.  Most of the shots I have posted–and most that I took–are of people, but here are a few that are a bit different.  I hope you like them.  I think that they can say as much about the city as those with people in the streets, but I’d love to hear your thoughts.

The rest of that day was pretty dead, and several of the shots from today were taken on that same day as we walked the nearly 7 miles from our hotel to Stamford Bridge, where we watched Chelsea 1-1 Fulham.  We sat with the Fulham fans and it was a great atmosphere–at least in our end.  But more on that tomorrow, along with some photos from the match!

See you tomorrow.  For now, keep shooting.

Cheers,

Trevor

England 2011-12: London Streets

"World Famous" - London, 2012

 

The blog has been slowing down lately, as I have been insanely busy.  There are lots of shots from Portugal to go through, and I have not even had the time to drop off the 25(!) rolls of film off for processing yet.  I will do so soon, hopefully, as it does take several weeks to get it back since the local place I take it to sends out all their E-6 processing.  I have a bunch of shots that I took with my X100 that I am currently plodding through, albeit slowly, and I kept a “travel journal” while I was in Portugal with my iPhone, which you can see HERE.

So in the meantime, we go back to England for the remainder of shots I have from the trip I took to London, Wigan, and Norwich in December 2011 – January 2012.  London is a great city to photograph in–perhaps my favorite that I have discovered so far–and I love whenever I get a chance to go there and shoot the streets.  I have gone every year the past few years, and I hope that I will get a chance to go again this year.

As always, if you like what you see, please let me know.  If you have questions or comments, you can put them below in the comment section, or you can get in touch with me here.  Feel free to re-blog, tweet, facebook, or otherwise share my work with people you know, or those who might enjoy my work.

-Trevor

England 2011-12: In the Street

"Fashion Slaves" - London, England

 

Normal service should resume soon–today we got home after 12 days in Porto and Lisbon, Portugal.  Once I get caught up on sleep I will get back on and get this running again.  Thanks for all who have continued to come while I was gone; I appreciate you continuing to stop by and check out my work all the same.  I have been putting up some photographs, but have not been typing much to accompany them, since all of the posts for the past two weeks were done ahead of time.  But, at least WordPress lets me schedule things out so I can have some semblance of normalcy in times like this.

The England series is about over.  I have a few more pictures I will be posting, but I’ve almost posted everything that I am happy with–though I did post quite a bit.  My standards are probably a bit lax since it’s just a blog, however.  If this was a gallery showing my work, I’d probably only have 10-20 images from the trip with which to tell the story, and that can go either way–it condenses your work into only the best, but means you have to exclude a good many shots you may really like, for one reason or another.  Enough of my nonsensical ravings, though…

If you like my work, please do tell others about it.  Email them the link, or share the link on facebook, twitter, or some other social network. It really does mean a lot to have so many people coming to see my work.  I’m trying my hardest to have people see and enjoy it, so any help would be appreciated.